Mooncha

This conversation with Mooncha isn’t just an interview, it’s a journey through the transformative power of art. From her earliest performances as a child to her deep dive into visual arts, philosophy, and cultural management, Mooncha has never followed a conventional path. Instead, she has embraced change, found healing in creativity, and redefined what it means to be an artist. Through SITIO and her work in Web3, she continues to cultivate spaces where art is more than just expression, it’s a force for connection and transformation.

Join us as we explore her story, her inspirations, and the philosophies that shape her approach to art and life.

Eduard ( E ): Many artists experience a moment, or a series of moments, that reveals art’s importance in their lives. Could you share your story? Was there a single event, or was it a collection of experiences that made you realize art would be a significant part of your journey?

Mooncha ( M ): Since I was little, I felt drawn to art. I can’t point to one single moment, because as far back as I can remember, I was dancing and activating my imagination through play. One of my earliest memories is imitating Michael Jackson’s moves while my parents dressed me up in clothes and blankets so I could perform shows for them.

Early on, I showed a clear interest in the stage—I was expressive, unafraid of audiences, and people encouraged me by inviting me to perform at family gatherings, their workplaces, and for our neighbors. At every school I attended, I joined theater and dance groups and often played lead roles.

Thanks to my parents, I studied ballet from the age of 7 to 17, until an injury stopped my activity and forced me to redefine my interests. From that point on, I took drawing and painting classes and explored the visual language. When I had to choose a career, I decided to dive into visual arts and entered an undergraduate program in Bogotá. There, I found many kindred souls—sensitive and profound people—and realized it was my place of enunciation.

While studying, I became interested in philosophy and history. I also grew frustrated with the professional art world—galleries, juries, awards—those dynamics felt too aggressive. So I began identifying as a “non-objectual artist” to free myself from those production chains. At the same time, I deepened my interest in the theoretical side of art, which gradually shifted my professional profile toward education and research.

Today, I define myself as a cultural manager and researcher, and I collaborate as a visual artist with others in fields like dance and music, mostly as an art director. I love making others shine, because I feel I shine when I help others shine. I don’t produce solo work; I immerse myself in collective initiatives. That’s how SITIO was born…

E: Inspiration for an artist can come from people, places, experiences, or even introspection. Among all the influences that have shaped your art, who or what has been your most significant muse, and why has it had such a profound impact on your work?

M: Right when I started studying Visual Arts at university, I was going through a difficult family situation that involved witnessing my beloved father’s health deteriorate. He is a very important reference in my life—he was my muse. I explored the human figure through his image and my most intimate emotions through landscapes. All my visual work focused on healing the pain of seeing him ill.

Today, I’m grateful to painting, photography, oil, charcoal, and pencil for teaching me how to heal. When he passed, I didn’t just lose my father—I lost my muse. That personal experience likely contributed to the disillusionment that led to the professional shift I mentioned earlier.

E: I believe storytelling breathes life into every form of art, turning it into something truly resonant. What role does storytelling play in your creative process? How does it shape the pieces you bring to life?

M: My encounter with the concept of “storytelling” was actually quite recent. In Colombia, it’s mostly used in the marketing world. So it wasn’t until we started SITIO that I truly understood the incredible value of telling stories.

That said, now that I reflect on it, my father was my first story—I used my talents to narrate his story through images.

Today, as a researcher, cultural manager, and educator, I try to analyze cultural production through this lens. I follow the dominant narratives in Western art and search for the “other narratives”—spaces of emancipation that were deliberately hidden by hegemonic discourse.

I’m also deeply interested in fiction. Wondering what the world might be like if those broken narratives had continued helps me imagine possible futures. And giving voice to the messages silenced by power returns agency to the arts. It stops being an instrument for elites and becomes a transformative force in life.

E: Life can sometimes feel overwhelming, making it hard to create. During those moments, what inspires you to return to your art? What keeps you going, even when the weight of the world feels heavy?

M: The transformative power of art is what keeps me going when the path gets thorny. Those of us working in the arts and culture know that finding funding is one of the greatest challenges—it demands time, perseverance, and all of our energy and patience.

When I lose direction, I remind myself: Art changes lives. Keep going.

E: The more we create, the more we evolve. Every piece sharpens our skills and reshapes our expression. How has your art evolved over time, and what experiences or discoveries have driven those changes?

M: As I shared earlier, I began in art motivated by joy. Then I discovered its healing power—I explored pain and healed. Eventually, I realized I had to put art—and my talents—at the service of the collective. That’s where I am today… Let’s see how life unfolds.

But now, as a mother, I feel like I have to start the journey again—this time by walking alongside my son as he discovers his own talents. Maybe I’ll start dancing and painting again. We’ll see what the future brings…

E: Many struggle with the concept of change, fearing the unknown or external pressures. Have you ever faced a moment where you knew change was necessary but hesitated to embrace it? How did you overcome this fear? What advice would you offer to those struggling to take that leap?

M: I believe change is the only constant. Those of us who have trained in the arts know that our minds become flexible—perhaps because we’re always making decisions, or because we dive deep into our emotions and face our fears. And from that place, we gradually find new paths.

In my personal story, I’ve faced many moments of crisis where fear tried to paralyze me, but art has always appeared to help me rise.

That would be my advice for those going through difficult times: dare to explore your most intimate emotions through art. I guarantee you’ll find the answers you need to move forward.

E: The art industry hasn’t always been kind to creators, often limiting their potential and voice. With Web3’s arrival, I feel the landscape is shifting. How do you see Web3 impacting artists’ journeys and transforming the way we engage with art and its creators?

M: Yes, I agree that Web3 is shifting the paradigm of creativity, of sharing, and of interacting from a place of honest identity. I trust that this time, technology is being designed to support what is human—not the other way around.

From our place as pioneers in this cultural movement, we’ve had the chance to connect with other “sensitive souls” whom we wouldn’t have met otherwise. This interview is a living example of that. I take this moment to thank you for this beautiful invitation! It’s a wonderful opportunity to connect through resonance.

I know by the law of attraction that the people taking the time to read me will feel that, on the other side, there is another human open to dialogue and opportunities to connect more deeply.

E: As someone who admires both you and STTSM, I’ve been inspired by your shared endeavor, SITIO. For those unfamiliar, could you dive into its story? What inspired its creation? What has the journey been like so far? Despite tough times, what kept you moving forward? And finally, what can we expect from SITIO in the future?

M: Well, we’ve spoken many times about this with our community. We are colleagues, partners, lovers, parents, and spouses. He’s the musician, the manager, the constant researcher—and me… well, you already know.

Since we met, we connected over our shared perspective on the art world, and from the very beginning, we decided to work together—first integrating collectives and later forming our own, seeking to create spaces of encounter for creators of all kinds: poets, performers, musicians, painters, writers, engineers, managers…

After living through the pandemic together, we felt a deep calling to create something more solid, since collectives would come and go. We wanted to commit and find ways to sustain a cultural project over time. That’s when everything aligned to open a cozy cultural space in our city. For the first time, we had the chance to host minds and sensitivities in our home—SITIO.

As I mentioned earlier, funding was a major challenge, making it hard to continue. And then came the news of our child, which changed everything in the short term. Still, we knew SITIO had to return.

STTSM had already entered Web3, and while I was pregnant, he deepened his ties with Web3 communities and developed new skills to support SITIO financially in the future. Once life allowed, we reopened—but this time fully focused on working in Web3. We refined the concept from the first iteration of SITIO to eliminate distractions and focus on what truly matters to us.

We realized the core hadn’t changed—we still had a social, transformative, and critical vision. Now, our focus is on connecting with nodes around the world to create a deep, transdisciplinary, critical cultural ecosystem that speaks to the transformative power of art and culture.

That’s how we’re building, alongside other creators, a Web3 studio model—one that supports, uplifts, and connects creation with other souls across continents. Just like you and I are doing right now…

E: Fans often define who an artist is to them, but I believe understanding how an artist perceives themselves can strengthen the connection between them and their audience. So, who is Mooncha at her core? If we peel back the surface layers, what lies at the foundation of Mooncha?

M: I think I’ve been peeling those layers throughout the interview. But to summarize: Mooncha is a sensitive, highly intuitive being who needs to connect affectively in order to create. She’s an artist, yes—because she feels like one—but more than that, she’s a witch.

Mooncha can’t commit to just one art form, which is why she embraces complexity (also performed through language). Over time, she has discovered in collaboration with others a rich, nourishing, and deeply transformative horizon.

E: Every artist has a purpose driving their creations. While individual pieces may vary in message, there’s often a larger theme running through their body of work. What is the overarching message you want to convey? How do you hope people will resonate with your art?

M: I don’t want people to connect with my art, actually, for the reasons I’ve shared already. I’m a non-objectual artist.

But I do think my message is clear: art is fun, yes—but it also heals, and above all, it connects.

I only hope readers are also on their own journey, and if they ever need a friend to accompany them, they can reach out to me.

E: What’s the weirdest place or object you’ve ever drawn artistic inspiration from?

M: I’d say from altered states of consciousness—visions produced by substances that connect us to the Source, to higher energies…

Today, thankfully, I no longer need them to feel that connection. In giving, in sharing authentically, and in carefully observing others to allow myself to be surprised—I find my truth.

Mooncha’s journey reminds us that art isn’t just about creation—it’s about healing, evolving, and building bridges between souls. Whether through painting, research, or cultural initiatives, she has consistently sought deeper meaning in her work, proving that art’s true power lies in its ability to connect and transform.

To follow Mooncha’s journey and connect with her, you can find her here: Twitter, Farcaster, Lens, Instagram.

Mismir is more than a brand, it’s a movement that believes in the power of creativity, collaboration, and storytelling. If you want to be part of the journey, follow Mismir on Lens, Twitter, Instagram, Farcaster and discover what’s next in the world of fashion, art, tech, and most importantly, community.

Thank you for reading!🌹